ICS BiblioSelect: Iconography

Adrych, Philippa, Rachel Wood, and Robert Bracey. Images of Mithra (Visual Conversations in Art and Archaeology, 1). Oxford: Oxford University Press, 2017.

Bisconti, Fabrizio. “Le basiliche cristiane” and “Le basiliche cristiane e i nuovi programmi figurativi,” in Aurea Roma: Dalla città pagana alla città cristiana, Serena Ensoli and Eugenio La Rocca, eds. Rome: L’Erma di Bretschneider, 2000, pp. 184-190.

Bisconti, Fabrizio, ed. Temi di iconografia paleocristiana. Vatican City: Pontificio Istituto di Archeologia Cristiana, 2000.

Bisconti, Fabrizio. Mestieri nelle catacombe romane. Appunti sul declino dell’iconografia del reale nei cimiteri cristiani di Roma, Studi e Ricerche pubblicati a cura della Pontificia Commissione di Archeologia Sacra 2. Vatican City, 2000.

Bisconti, Fabrizio and Matteo Braconi, eds. Incisioni figurate della tarda antichita, Atti del Convegno di Studi (Rome, March 22-23, 2012). Vatican City, 2013.

Brandt, Rasmus H. and Olaf Steen eds. Imperial Art as Christian Art – Christian Art as Imperial Art: Expression and Meaning in Art and Architecture from Constantine to Justinian. Roma: Bari Editore, 2001.

Carletti, Carlo. “Origine, committenza e fruizione delle scene bibliche nella produzione figurativa romana del III sec.,” in Vetera Christianorum 26 (1989), pp. 207-219.

Carruthers, Mary. The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400-1200. New York: Cambridge University Press, 1998.

Cumont, Franz. Recherches sur le symbolisme funéraire des Romains. Bibliotheca Cumontiana - Scripta Maiora (BICUMA), 4, eds. Janine Balty, Jean-Charles Balty. Turnhout: Brepols Publishers, 2015.

Elsner, Jaś. “Archaeologies and Agendas: Reflections on Late Ancient Jewish Art and Early Christian Art.” JRS 93 (2003): 114-128.

Finney, Paul Corby. The Invisible God: The Earliest Christians on Art. New York: Oxford University Press, 1994.

Grabar, André. Christian Iconography. A Study of Its Origins. Princeton: Princeton University Press, 1986.

Hellemo, Geir. Adventus Domini: Eschatological Thought in 4th-Century Apses and Catecheses. Leiden: Brill, 1989.

van den Hoek, Annewies and John J. Herrmann, Jr., Pottery, Pavements, and Paradise : Iconographic and Textual Studies on Late Antiquity (Supplements to Vigiliae Christianae 122). Leiden-Boston: Brill, 2013.

Huskinson, J. M. Concordia Apostolorum: Christian Propaganda at Rome in the Fourth and Fifth Centuries: A Study in Early Christian Iconography and Iconology. Oxford: British Archaeological Reports, 1982.

Janssens, Jos. "I manoscritti di Philips van Winghe (1560-1592) e Jean l’Heureux (Macarius) (1540-1614) e la Compagnia di Gesu’," in Gregorianum (91.3) 2010, 574-582.

Jensen, Robin M. Understanding Early Christian Art. London and New York: Routledge, 2000.

Jones, Michael and Susanna McFadden, eds. Art and Empire: The Roman Frescoes and Imperial Cult Chamber in Luxor Temple.  New Haven: Yale University Press, 2015.

Levine, Lee I. Visual Judaism in Late Antiquity: Historical Contexts of Jewish Art. New Haven, CT: Yale, 2013.

Massa, Francesco. Tra la vigna e la croce: Dioniso nei discorsi letterari e figurativi cristiani (II-IV secolo). Potsdamer Altertumswissenschaftliche Beiträge, Bd 47. Stuttgart: Franz Steiner Verlag, 2014.

Mathews, Thomas F. The Clash of Gods: A Reinterpretation of Early Christian Art, rev. ed. Princeton, New Jersey: Princeton, 1999.

Murray, Sr. Charles. Rebirth and Afterlife: A Study of the Transmutation of Some Pagan Imagery in Early Christian Funerary Art. Oxford: British Archaeology Reports, 1981.

Picturae sacrae: motywy ikonograficzne malowidel przedkonstantynskich w chrzescijanskich katakumbach Rzymu. Lublin: Red. Wydawnictw KUL, 1990.

Provoost, Arnold. De vroegchristelijke funeraire beeldtaal: met chronologisch repertorium van de catacombenschilderingen in Rome en van de vroegchristelijke sarcofagen. 3: Repertorium vanaf ca. 375. Leuven: KUL. Onderzoekseenheid archeologie, 2011.

Rasmussen, Mikael Bøgh.   “Traditio Legis – Bedeutung und Kontext.” In Jens Fleischer and John Lund, eds, Late Antique Art in Context. Copenhagen: Museum Tusculanum Press, 2001,  21-52.

St. Clair, Archer. “God’s House of Peace in Paradise: The Feast of Tabernacles on a Jewish Glass.” Journal of Jewish Art 11 (1985): 6-15.

Urbano, Arthur. "Fashioning Witnesses “Hebrews” and “Jews” in Early Christian Art," in A Most Reliable Witness: Essays in Honor of Ross Shepard Kraemer, Susan Ashbrook Harvey, Nathaniel P. DesRosiers, Shira L. Lander, Jacqueline Z. Pastis & Daniel Ullucci, eds., Brown Judaic Studies, 358, Providence, 2015, 89-100.

Urbano, Arthur.  “Sizing-Up the Philosopher's Cloak: Christian Verbal and Visual Representations of the Tribon,” in Dressing Judeans and Christians in Antiquity, eds. Kristi Upson-Saia, Carly Daniel-Hughes, Alicia J. Batten. Farnham: Ashgate, 2014.

Warland, Rainer. "The Concept of Rome in Late Antiquity reflected in the mosaics of the Triumphal Arch of S. Maria Maggiore in Rome". Acta ad archaeologiam et artium historiam pertinentia 17 (2003): 127–141.