ICS BiblioSelect: Iconography

Adrych, Philippa, Rachel Wood, and Robert Bracey. Images of Mithra (Visual Conversations in Art and Archaeology, 1). Oxford: Oxford University Press, 2017.

Bisconti, Fabrizio. “Le basiliche cristiane” and “Le basiliche cristiane e i nuovi programmi figurativi,” in Aurea Roma: Dalla città pagana alla città cristiana, Serena Ensoli and Eugenio La Rocca, eds. Rome: L’Erma di Bretschneider, 2000, pp. 184-190.

Bisconti, Fabrizio, ed. Temi di iconografia paleocristiana. Vatican City: Pontificio Istituto di Archeologia Cristiana, 2000.

Bisconti, Fabrizio. Mestieri nelle catacombe romane. Appunti sul declino dell’iconografia del reale nei cimiteri cristiani di Roma, Studi e Ricerche pubblicati a cura della Pontificia Commissione di Archeologia Sacra 2. Vatican City, 2000.

Bisconti, Fabrizio and Matteo Braconi, eds. Incisioni figurate della tarda antichita, Atti del Convegno di Studi (Rome, March 22-23, 2012). Vatican City, 2013.

Brandt, Rasmus H. and Olaf Steen eds. Imperial Art as Christian Art – Christian Art as Imperial Art: Expression and Meaning in Art and Architecture from Constantine to Justinian. Roma: Bari Editore, 2001.

Carletti, Carlo. “Origine, committenza e fruizione delle scene bibliche nella produzione figurativa romana del III sec.,” in Vetera Christianorum 26 (1989), pp. 207-219.

Carruthers, Mary. The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400-1200. New York: Cambridge University Press, 1998.

Cumont, Franz. Recherches sur le symbolisme funéraire des Romains. Bibliotheca Cumontiana - Scripta Maiora (BICUMA), 4, eds. Janine Balty, Jean-Charles Balty. Turnhout: Brepols Publishers, 2015.

Daniélou, Jean.  Les symboles chrétiens primitifs. Paris: La Procure, 1996.

Dijkstra, Roald. The Apostles in Early Christian Art and Poetry. Supplements to Vigiliae Christianae, Vol. 134. Leiden: Brill Publishers, 2016.

Dresken Weiland, Jutta. Immagine e parola. Alle origini dell'iconografia cristiana. Vatican City, 2012.

Dulaey, Martine. "Des forêts de symboles". L'initiation chrétienne et la Bible, Ier-VIe siècle (Le Livre de poche. Références Antiquité, n° 574). Paris: La Procure, 2001.

Elsner, Jaś. “Archaeologies and Agendas: Reflections on Late Ancient Jewish Art and Early Christian Art.” JRS 93 (2003): 114-128.

Finney, Paul Corby. The Invisible God: The Earliest Christians on Art. New York: Oxford University Press, 1994.

Garipzanov, Ildar H., Caroline Goodson, and Henry Maguire, eds. Graphic Signs of Identity, Faith, and Power in Late Antiquity and the Early Middle Ages. Cursor Mundi (CURSOR 27). Turnhout: Brepols Publishers, 2017.

Grabar, André. Christian Iconography. A Study of Its Origins. Princeton: Princeton University Press, 1986.

Hellemo, Geir. Adventus Domini: Eschatological Thought in 4th-Century Apses and Catecheses. Leiden: Brill, 1989.

van den Hoek, Annewies and John J. Herrmann, Jr., Pottery, Pavements, and Paradise : Iconographic and Textual Studies on Late Antiquity (Supplements to Vigiliae Christianae 122). Leiden-Boston: Brill, 2013.

Huskinson, J. M. Concordia Apostolorum: Christian Propaganda at Rome in the Fourth and Fifth Centuries: A Study in Early Christian Iconography and Iconology. Oxford: British Archaeological Reports, 1982.

Janssens, Jos. "I manoscritti di Philips van Winghe (1560-1592) e Jean l’Heureux (Macarius) (1540-1614) e la Compagnia di Gesu’," in Gregorianum (91.3) 2010, 574-582.

Jensen, Robin M. Understanding Early Christian Art. London and New York: Routledge, 2000.

Jones, Michael and Susanna McFadden, eds. Art and Empire: The Roman Frescoes and Imperial Cult Chamber in Luxor Temple.  New Haven: Yale University Press, 2015.

Levine, Lee I. Visual Judaism in Late Antiquity: Historical Contexts of Jewish Art. New Haven, CT: Yale, 2013.

Massa, Francesco. Tra la vigna e la croce: Dioniso nei discorsi letterari e figurativi cristiani (II-IV secolo). Potsdamer Altertumswissenschaftliche Beiträge, Bd 47. Stuttgart: Franz Steiner Verlag, 2014.

Mathews, Thomas F. The Clash of Gods: A Reinterpretation of Early Christian Art, rev. ed. Princeton, New Jersey: Princeton, 1999.

Murray, Sr. Charles. Rebirth and Afterlife: A Study of the Transmutation of Some Pagan Imagery in Early Christian Funerary Art. Oxford: British Archaeology Reports, 1981.

Picturae sacrae: motywy ikonograficzne malowidel przedkonstantynskich w chrzescijanskich katakumbach Rzymu. Lublin: Red. Wydawnictw KUL, 1990.

Provoost, Arnold. De vroegchristelijke funeraire beeldtaal: met chronologisch repertorium van de catacombenschilderingen in Rome en van de vroegchristelijke sarcofagen. 3: Repertorium vanaf ca. 375. Leuven: KUL. Onderzoekseenheid archeologie, 2011.

Rasmussen, Mikael Bøgh.   “Traditio Legis – Bedeutung und Kontext.” In Jens Fleischer and John Lund, eds, Late Antique Art in Context. Copenhagen: Museum Tusculanum Press, 2001,  21-52.

St. Clair, Archer. “God’s House of Peace in Paradise: The Feast of Tabernacles on a Jewish Glass.” Journal of Jewish Art 11 (1985): 6-15.

Urbano, Arthur. "Fashioning Witnesses “Hebrews” and “Jews” in Early Christian Art," in A Most Reliable Witness: Essays in Honor of Ross Shepard Kraemer, Susan Ashbrook Harvey, Nathaniel P. DesRosiers, Shira L. Lander, Jacqueline Z. Pastis & Daniel Ullucci, eds., Brown Judaic Studies, 358, Providence, 2015, 89-100.

Urbano, Arthur.  “Sizing-Up the Philosopher's Cloak: Christian Verbal and Visual Representations of the Tribon,” in Dressing Judeans and Christians in Antiquity, eds. Kristi Upson-Saia, Carly Daniel-Hughes, Alicia J. Batten. Farnham: Ashgate, 2014.

Warland, Rainer. "The Concept of Rome in Late Antiquity reflected in the mosaics of the Triumphal Arch of S. Maria Maggiore in Rome". Acta ad archaeologiam et artium historiam pertinentia 17 (2003): 127–141.